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Machairas Monastery



Ioannis Kissonerghis (1889-1963)
Machairas Monastery
watercolour on paper
AGLC 499 @ A.G Leventis Gallery

From the 18th century, painter-travellers showed particular interest in the depiction of Cypriot landscapes and landmarks, as well as in the painterly rendition of the island’s ancient and medieval monuments, using principally the artistic medium of watercolour. This tendency was reinforced with the arrival of the British on the island in 1878. Watercolours proved ideal for painting from nature. Landscape artists could easily carry their materials. Furthermore, the diluted colours dried immediately and so were amenable to subsequent layers. Driven by the excitement of discovering new, different, even – to their eyes – ‘exotic’ places, they portrayed their subject matter with a romantic slant, accentuating its picturesque quality or, in some cases, focusing their interest on precise description, primarily of archaeological sites.

First among the Cypriot artists to adopt the traveller’s gaze of foreign artists was Ioannis Kissonerghis, painting many of the ancient, medieval and later monuments of Cyprus. The A. G. Leventis Gallery Collection includes four such characteristic landscapes (AGLG. 496-499). All four are seen from a distance, in order to underscore their panoramic viewing. 

Kissonerghis painted this Orthodox monastery of the 12th century in the same panoramic way as he did the aforementioned historical monuments. By rendering all the details that make up the buildings’ architectural physiognomy, as well as that of the tree-covered mountain region, he gave, through his studied management of the light, the atmospheric character of the natural space of Cyprus. 

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About the artist

Ioannis Kissonerghis was born in Nicosia in 1889. He studied medicine for three years at the University of Athens, but interrupted his studies to take part in the Balkan Wars. After they ended in 1913 he enrolled in the Athens School of Fine Arts, where he remained for 1 ½ years.  However due to serious Illness, he had to return to Cyprus, where he taught at the Pancyprian Gymansium and The English School.  His art was very much influenced by his studies at the Athens School of Fine Art, where he was taught by professors that had been educated in Munich and had brought with them the artistic climate that prevailed there at the time.  His relationship with them is evident in Kissonerghis’ realistic approach, accomplished draftsmanship and detailed and skillful composition. Kissonerghis was particularly involved in watercolour. The greater freedom of line and the quicker speed that watercolour painting demands affected his style, helping to distance him from the various constraints of the academic tradition.

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